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1Q84

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1Q84 by Haruki Murakami (Harvill Secker)
I’ve loved Murakami since I first read one of his earlier novels, Norwegian Wood. I liked it because it was strange, but in an honest, sad and beautiful way.

I went on to read Kafka on the Shore when I was backpacking in South America. I even still remember the offbeat American-owned bookstore that I bought it from in Quito, Ecuador- a bookstore almost as strange and disjointed as the story.

So when all the hype around Murakami’s latest novel, 1Q84, began to make itself known in my Facebook and Twitter feed, I knew I needed to read it. I even shelled out more than I’d ever pay for a book on the hardcover version at The Book Lounge.
And I’m still reading it.

I’ve made my way through the first book, one in a collection of three, which apparently were released separately in Japan but have been collected in one hardcover version for the international release.

It’s a slightly heavy one, which makes reading it in bed a bit of an effort, but I think my arms have adjusted.

It’s the usual bizarre Murakami parallel narrative structure, alternating between Aomame and Tengo, two characters who unknowingly live complementary lives in a bizarre version of the year 1984- a world with two moons called 1Q84.

In true Murakami style there are evocative descriptions of sex, cults, Tokyo, relationships and in-depth character introspection, but to be honest, it’s too much of a detailed plot to fit into a short review.

In short, it’s complex, twisted, and if you’re reading the hardcover version, awkward to hold while lying down. But if you’re a Murakami fan, and can’t wait a year for the paperback version, I’d say it’s definitely worth the bicep strain.

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